Yet if you saw the film without having been tipped off, it's inconceivable that you'd make the connection yourself. You can just about see why Spasojevic found a resemblance between these experiences and those of his country's citizenry during the last quarter of a century. Along the way, a baby gets sexually defiled, a man gets raped to death through his eye-socket, a woman gets beheaded during intercourse and much else of the same ilk is depicted. But just how does the film's story manage to tell Serbia's? The hero is lured by a psychopathic monster into perpetrating terrible acts, disgust at which leads him to murder and suicide.
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He says he spent a decade trying to work out how to translate its essence into cinema, and concluded that pornography was the only possible metaphor for "the almost indescribable and exploitative chaos" that had dominated his life.įair enough.
He has after all lived through a traumatic period in his country's history. Yet the more you hear of Spasojevic's apologia, the more sincere he seems to be. Understandably enough, this claim has been derided as a pathetic attempt to accord respectability to a straightforward exercise in sensationalist depravity. It's about the monolithic power of leaders who hypnotise you to do things you don't want to do." Whenever he gets the chance, the director, Srdjan Spasojevic, insists: " This is a diary of our own molestation by the Serbian government. Yet we're not allowed to leave it at that.įamously, this film is laid before us not as a robust piece of entertainment for what will doubtless prove an appreciative niche audience, but as a political allegory. Good luck to it, you may or may not think.
Even after the 49 cuts demanded by the BBFC spoilsports, it certainly earns its place on the shortlist for that sought-after accolade, " the nastiest film ever made". If you like torture porn, rape porn, incest porn, paedo porn, snuff porn, necro porn and (a bit of a breakthrough here) newborn porn, A Serbian Film has much to offer you.
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